IceBenders “no demographic”

The new album from IceBenders is officially released 31 August 2018.

The album can be streamed on Bandcamp.


New release from African Village: “Tum Tum”

Tum Tum CD cover 400pThis collection of traditional Ghanaian songs is a unique collaboration between Moro (from the north, Volta region) and Alex (from the south, Accra).

Moro makes and plays the local wooden xylophone, called gyil.

Recorded and mixed at CutSnake.


Paul Mbenna and the Okapi Guitar Band: “Swahili Boogaloo”

swahili boogaloo cover 250



Frustrated fan writes…

Dear Independent Band,

When I heard your music streaming somewhere, I enjoyed it very much, and resolved to buy your CD, if you had released one.

I googled up your website, but, alas!, it was naught but a Facebook page, and insisted I must log in to view it.

I am, for my sins, a Facebook denier, and could not be expected to overthrow my conviction of many years, even under the influence of this flare of enthusiasm.

Perhaps I will try again to locate your CD (if you have one) or even a download site. Perhaps.


IceBenders “Everything You Know Could Be Wrong”

Finally a new IceBenders release. All on Bandcamp.

CD cover 300p


Sam Derchie “Nsubeto”

A song in the classic highlife style of the African Brothers (a band Sam played in while in Ghana).

Lead vocals, trumpet, and extra percussion recorded at CutSnake.


Paul Mbenna and the Lorikeet Orchestra

We did Paul’s vocals for this track here at CutSnake, and I was also involved in the cover design.

CD Baby

Hamsini cover


IceBenders EP “That Never Works”

IceBenders EP cover Drums, bass, and pedal steel.

Available on Bandcamp.


Travel report #2: Sun Ra Arkestra

Arkestra live

Sun Ra Arkestra, Philadelphia, June 25 2011.

Audio recording: Love in Outer Space (mp3).


Analogue and digital (slight return)

Tape is a more natural way to record than digital technology. Yes, if you think that suspending a zillion little magnetic rust particles in plastic and then telling them how to line up as they get dragged past an electromagnet, which has to be fed by a high-level supersonic signal just so the audio doesnÂ’t sound like a buzzsaw, is totally natural.

But does anybody really use the “natural” argument?