CutSnake Studio

Tape is a more natural way to record than digital technology. Yes, if you think that suspending a zillion little magnetic rust particles in plastic and then telling them how to line up as they get dragged past an electromagnet, which has to be fed by a high-level supersonic signal just so the audio doesn’t sound like a buzzsaw, is totally natural.

http://www.emusician.com/tutorials/five_digital_audio_myths_busted/

But does anybody really use the “natural” argument?

————

It’s taken a while for this album to become available.

Mastered at CutSnake in December 2009.

Lots of history…

The attraction of tape and vinyl puzzles me. I’ve recorded to tape, and we had 4- and 8-track machines in the studio during the eighties. They were expensive and awkward to use.

Vinyl leaves me completely cold.

Tom Ellard disses vinyl (and other things): Audio Mouth Breathers

Owsley Stanley (RIP) talks about the near-impossibility of accurate playback from vinyl.

Now available from CDBaby.

Some percussion and vocals came out of Cut Snake.

At Gearslutz:

I wouldn’t even consider doing a joint audio project with somebody who was using windows, because they simply don’t get it, and wouldn’t be on the same wave length as I. And if I stepped into a recording studio and saw PC’s running windows only in the control room and no Macs, I’d turn right around and walk out the door, as that wouldn’t qualify as a professional studio, according to my standards.

Finally a new studio CD from the Okapi faction. (We’re using a slightly different name this time, given the musicians involved.)

We started recording this back in 2007, but put out the live CD before completing this.

We’ll be giving it a proper launch in January 2011, but it’s already up at CDBaby if you want to have a listen.